While the decisive sound of Trkulja filled the hall from the first tune on, it seems that the choice of performing on pianoforte, rather than on a full-size concert piano, might not have been the best.
The concert in Pozoriste na Terazijama, a place acoustically well-suited to classical music, started with a saxophone-piano duo. It was in The Netherlands Trkulja met Franz von Chossy, a young pianist who had been performing his own jazz compositions with a trio baring his name, composed of piano, bass and drums. This young man plays not only tenor saxophone and clarinet, which he studied in the Netherlands, but also 14 other instruments including the duduk, diple, dvojnice and other traditional instruments from the Balkans. His grasp of the soul of old Serbia, with its almost Byzantine music style, was matched admirably by his unique singing style and ability to play several instruments many did not believe existed anymore. Slobodan Trkulja caught the public eye when he performed the highly symphonic composition Nebo with a big orchestra and an Orthodox monk at the 2008 Beovizija.
Accompanying him was Franz von Chossy, young, not yet a superstar, but certainly a musician of high merit.
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